For certain events taking place at the McKittrick Hotel, we require guests to be at least 21 years of age. You may check-in at The McKittrick Hotel upon arrival.Īll guests attending Sleep No More must be over the age of 18 years with valid ID. Once you have completed your ticket order, be sure to view your receipt to confirm your date and time. Guests of Maximilian, Oz and dinner guests will receive complimentary bag and coat check.
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A compulsory bag and coat check will be available upon arrival for $4.00 per person. The mask will be provided upon arrival.Īll bags and purses are required to be checked prior to entering the hotel for Sleep No More.
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Following the culminating moment of the performance guests are welcome to stay on at the Manderley Bar.Īll guests are required to wear a mask while inside the hotel for Sleep No More. After admission, guests embark upon an individual journey and may stay inside the performance for as long as they wish. There are five arrival times for each performance ranging from 3:00pm-11:30pm depending on the day of the week. Sleep No More is an indoor promenade performance lasting 2-3 hours depending on your time of check-in. We will continue to monitor and adhere to CDC, Federal, State and Local guidelines in an effort to keep our guests and staff safe. Even without knowing about the complex fandom surrounding the event, students were still anxious.For our most up to date Sleep No More Covid-19 Requirements please CLICK HERE. My first visit to Sleep No More included bringing a group of honors students who were on a school trip to New York. The emergence of this fan community suggests that audience members feel compelled to share their experiences, chronicling each unique trip through the McKittrick, trying to find ways to convey what the performance meant to them. (2) The highly individualized nature of the performance means that each response shared over social media is unique, allowing audience members to collect and compare wildly different experiences over the run. They take photos of the objects they have received during performances: playing cards, masks, keys, rings, even tearstained tissues. These fans create critical and creative essays, fiction, artwork, and music to chronicle their experiences. Passionate followers who returned more than once were first called "Sleepalos," then "Insomniacs," while some prefer the term "The Sleepless." (1) For simplicity's sake, I will use "Insomniacs" in this essay, as it is the term I have encountered the most often. In addition to writing individual letters, blog posts, and responses, they have developed online communities to share their experiences, connecting with forums and tumblrs such as Scorched the Snake, The Bloody Business, and Behind a White Mask. Fans of the show can now attend the production as many as sixty times, always finding something new. Over its run, the show has become more entrenched in its Chelsea location, building additional spaces for audiences, including a speakeasy accessible by elevator from the street and a rooftop bar. Running first in England in 2003, then in 2009 in Boston at an abandoned school before transferring almost immediately to a warehouse in Manhattan, Sleep No More has a history of evolving to match its place and time. But Sleep No More stands out among Punchdrunk's productions for its scope, duration, and devoted fans. Punchdrunk has performed a variety of immersive theatrical events, from Oedipus in a Victorian garden to a ball inspired by Romeo and Juliet and The Firebird to a Doctor Who fan experience. Sleep No More and The Night Circus are tributes to the power of audiences, privileging spectator over spectacle.
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In both the theatrical world of Sleep No More and the fictional world of Morgenstern's Le Cirque des Reves, audiences are responsible for mapping their own journeys through the created spaces of the productions, shaping their own experiences of the event. The show developed a passionate fan following, including author Erin Morgenstern, who drew upon her experiences with Sleep No More as she was developing the magical circus at the center of her debut novel, The Night Circus. Rather than passive observers of a static spectacle, audiences of Sleep No More became active players in its world. When the British theater company Punchdrunk brought their production Sleep No More to the United States, they offered audiences the chance to immerse themselves in a noir-style mash-up of Shakespeare's Macbeth and Hitchcocks Rebecca.